Organist William Saunders brings his vibrant music to Chelmsford Cathedral this Friday for the latest Lunchtime Concert in the series. Here he shares why the cathedral is such a special and unique place to play, as well as the inspiration behind his music…
Tell us why you enjoy playing at Chelmsford Cathedral?
“The cathedral is a wonderfully light and colourful space, which really helps bring music to life. Unlike some vast, cavernous cathedrals, its relatively smaller size makes performances feel more intimate, creating a real connection with the audience. The organs here pack a punch - full of colour, character, and dynamic range. One of the most exciting aspects for me is the stereo effect possible when playing both instruments at the same time, which I’ll be doing! The interplay between them creates an immersive soundscape for a truly thrilling performance experience.”
Can you tell us more about the organs here, and how they work?
“Chelmsford Cathedral is home to a truly unique organ setup, featuring two independent instruments that can be played from a single console. At the west end of the Nave sits a powerful four-manual organ, while the east end houses a two-manual instrument. A third manual on the console allows the grand divisions of the Nave organ to be played from the Chancel organ, creating a stunning stereo effect. Visually, both organs are as striking as they are sonorous, with lots of golden decorations, which contributes to the buildings wonderfully colourful design.”
How do you decide on the pieces you'll play?
“When planning a lunchtime recital, I always consider what will both entertain and engage the audience. It’s important the programme is varied and accessible - offering moments of grandeur, reflection, and excitement. I also think about how the repertoire interacts with the instruments themselves - some pieces come to life in a particular acoustic or make the most of an organ’s unique features. And, of course, I choose music I love to play!”
Can you share some of the pieces you’ll be playing, and how you chose them?
“Concert Overture in F Minor, Alfred Hollins was a blind composer and virtuoso organist whose music is full of warmth and energy. This Overture is a fantastic example of his bold, melodic style. It opens with a powerful, sweeping theme before moving into a more lyrical and reflective section, showing off the full expressive range of the organ. The grand conclusion makes it a thrilling piece to both play and hear!
Christopher Steel’s Changing Moods Suite, as the name suggests, this suite explores a wide variety of emotions, from playful and mischievous to deeply expressive. Christopher Steel was a master at crafting organ music that is both engaging and thought-provoking, and this piece takes the listener on a journey through contrasting sound worlds.
Voices of the World by Iain Farrington, a vibrant and rhythmic work that draws inspiration from folk and traditional music from different cultures. Farrington is known for his inventive and energetic writing, and this piece is no exception - it’s full of driving rhythms, unexpected harmonies, and colourful textures. It was first performed at the Coronation of King Charles III.”
You can find the full programme here. Tea and coffee will be served from 11.30am, with the concert beginning at 12 noon, entry is free.